When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
Siedah GarrettMichael Jackson was a constant perfectionist. He loved watching other people do what they did best and then taking that and adding his own little twist to it. He loved to pull the best from the best and make it his own.
Siedah GarrettMichael Jackson really turns my life and changed my creative process as well. "Keep On Loving You" really honors him and honors my relationship with him so much so that the family, the estate and Sony Music gave me permission to use footage from our time on tour together in my new video. I am just so, so honored that they sought to do that because they didn't have to do that at all. It's a brilliant gesture because they realized how much he meant to me. When you hear the song and watch the video, you'll get that too.
Siedah GarrettWe with Michael Jackson were in the studio recording some work on "Man in the Mirror" or the duet. I can't remember which it was. We did the duet in three languages: English, French and Spanish. So, I spent like a week with him in the studio doing the three songs in different languages. It was just an awesome experience recording with him.
Siedah GarrettThe whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.
Siedah GarrettWhat happened was I was a songwriter on Quincy Jones' publishing company, Qwest, for two and a half years before I gave him the song for Michael Jackson. He had a meeting with the songwriters. I think there were about six of us on the West Coast and we all had a meeting at his house where he sort of gave us an outline of what he wanted. To finish this BAD album Jones needed one more song to round out the album. I took notes and then I then took my notes to my writing partner Glen Ballard.
Siedah Garrett