Usually it's the guys that don't follow you around, who you're attracted to!

When I went to Yale, I thought it would be like in Stenford 24 hours a day. Robert Brustein, former dean of the Yale School of Drama and founder of the Yale Repertory Theater was there, and we did all this very serious - I would go so far as to say completely humorless - Eastern European drama, as well as August Strindberg, and Henrik Ibsen, we weren't allowed to do William Shakespeare or Tennessee Williams or Eugene O'Neill. I was not in the right place.

I am sent too many mainstream scripts in which the older woman is really quite grotesque. Sometimes you read a script and you feel quite sick that they have to caricature older women in such a negative way.

I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film... But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.

My husband is from Hawaii and his father who was also born in Hawaii was a teenager when Pearl Harbor happened, right before church and he ran up and got on the roof of his grandfather's house and watched the planes go over.

I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven't used, for any job, but particularly in acting.

What I love about the 'Alien' franchise is I would do all kinds of films - dramas, comedies, whatever - and every now and then I'd be in this science fiction blockbuster that would re-introduce the character and me to a lot of audiences around the world and allow me to go back and do the smaller films again, so it was really a good balance for me.