When I went to Yale, I thought it would be like in Stenford 24 hours a day. Robert Brustein, former dean of the Yale School of Drama and founder of the Yale Repertory Theater was there, and we did all this very serious - I would go so far as to say completely humorless - Eastern European drama, as well as August Strindberg, and Henrik Ibsen, we weren't allowed to do William Shakespeare or Tennessee Williams or Eugene O'Neill. I was not in the right place.

Carbon dioxide pollution is transforming the chemistry of the ocean, rapidly making the water more acidic. In decades, rising ocean acidity may challenge life on a scale that has not occurred for tens of millions of years. So we confront an urgent choice: to move beyond fossil fuels or to risk turning the ocean into a sea of weeds.

I really enjoy working with younger actors. I just feel like we're all peers together.

I'm very happy with the opportunities I've had.

For the camera, particularly, I feel like - I think that, as human faces become older, they become more interesting.

Most of life is hell. It’s filed with failure and loss. People disappoint you. Dreams don’t work out. Hearts get broken. Innocent journalists die. And the best moments of life, when everything comes together, are few and fleeting. But you’ll never get to the next great moment if you don’t keep going. So that’s what I do. I keep going.

One of the reasons I did this, because I wasn't really looking for another science fiction film, was that my daughter can see it. She's 9 and it's really a good film for all ages.