When I went to Yale, I thought it would be like in Stenford 24 hours a day. Robert Brustein, former dean of the Yale School of Drama and founder of the Yale Repertory Theater was there, and we did all this very serious - I would go so far as to say completely humorless - Eastern European drama, as well as August Strindberg, and Henrik Ibsen, we weren't allowed to do William Shakespeare or Tennessee Williams or Eugene O'Neill. I was not in the right place.

I don't want to leave New York and leave my family. I don't like the distance. I just did a movie in California and it's kind of excruciating to be away from them so I think there is that sense.

With Alien, because we always use a different director, each one kind of stands on its own. So I guess it's possible for them to make another one, but we have no plans.

When I was in college, I was an English major, but I was part of this great group at Stanford called the Company. We didn't know any better, so we did it all; we did King Lear, we did Hamlet, new plays ... And we did it all in a covered wagon that we took around the Bay Area. We all put our makeup on in one cracked mirror. It was the most fun I've ever had.

I used to be terribly shy, so I was either shy or over the top, and I always had a difficult time.

I love working with young people and young filmmakers, and I love working on first films. I think it's cool. It's fun. I just take it as it comes.

I actually think the reason I am interested in certain parts is because I was such a dweeb in high school. When you are such a loser, it's a helpful way in to a lot of characters because even very powerful people are not all that powerful really. They all had a high school. That vulnerability is completely permanent and, as an actor, it's a good thing.