What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.
Sigourney WeaverI think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film... But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.
Sigourney WeaverI changed my name when I was about twelve because I didn't like being called Sue or Susie. I felt I needed a longer name because I was so tall. So what happened? Now everyone calls me Sig or Siggy.
Sigourney WeaverI never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
Sigourney WeaverI think that's what I really dig about science fiction these days - we've caught up to it in a way. It's no longer about people with huge brains. Now it's really much more, as Jim Cameron says, the nature of being human. What it is to be human in society. How to retain one's humanity in society.
Sigourney Weaver