I had always done theater in extracurricular ways. I'd never been a drama major.

For the camera, particularly, I feel like - I think that, as human faces become older, they become more interesting.

I don't really see science fiction as fiction. I can imagine colonies on Mars and everything.

I always find it particularly difficult to work in New York because there are so many things to do.

I actually have a long apology letter from Robert Brustein, saying, "I'm so sorry this happened to you. I didn't realize the people who were running the acting department at the drama school hated actors." They did. And they were fired when I graduated.

When you hit your strive, and you feel confident in what you're doing and in your process, you really want to do more and try lots of different things. I've also really worked on my breathing, which is a funny thing to talk about, if you're not an actor. I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven't used, for any job, but particularly in acting.

If you come back from the dead, you don't have the same value system, I think.