As long as your robot isn't programmed by like Dr. Evil, I think you're going to be fine.

When you're young, there's so much that you can't take in. It's pouring over you like a waterfall. When you're older, it's less intense, but you're able to reach out and drink it. I love being older.

I love working with young people and young filmmakers, and I love working on first films. I think it's cool. It's fun. I just take it as it comes.

I was at an all-girls' school, so there were a lot of us who were really awkward. I was this tall when I was 11, so I was really awkward and self-conscious. No one would really have wanted to be mean to me. I was too unimportant.

I often meet young directors who, you know, had a 'Ghostbusters' picture on their wall as they were growing up. And it's really nice. It just shows how inter-generational our industry is.

I used to be terribly shy, so I was either shy or over the top, and I always had a difficult time.

What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.