I think that every piece has its challenges. I love going back and forth between one and the other. I'll always pick a comedy over a drama.

Someday hopefully it won’t be necessary to allocate a special evening to celebrate where we are and how far we’ve come…someday women writers, producers and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.

Most of life is hell. It’s filed with failure and loss. People disappoint you. Dreams don’t work out. Hearts get broken. Innocent journalists die. And the best moments of life, when everything comes together, are few and fleeting. But you’ll never get to the next great moment if you don’t keep going. So that’s what I do. I keep going.

What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.

My mother said, "Pack your bags and leave." And my father said, "I've already paid for a year and a half - why don't you stay and get the degree?" And I said, "That's a good idea, because then I can at least run a theater even though I have no talent, and I'll never be an actor." It's my fault that I believed them.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

I really enjoy working with younger actors. I just feel like we're all peers together.