The culture of irony is the culture of postmodernism, which I would furiously want to denounce. We have to act ethically and politically. Irony is a defensive position, against reality. It always knows what to think about reality. The idea of commitment and engagement is central to me, which is not ironic.
Simon CritchleyThe yearning for the common good comes from the refusal to accept that perhaps Americans have very little in common apart from the elements of a sometimes successful civil religion based around a sentimental, indeed sometimes teary-eyed, attachment to the constitution and a belief in the quasi-divine wisdom of the founding fathers.
Simon CritchleyI've always been very keen on Pascal, and what I'm most keen on in Pascal is his emphasis upon human wretchedness. He has a phrase which goes something like 'Anxiety, boredom and inconstancy, that is the human condition' and I've always been very partial to that.
Simon CritchleyWe might even define the human as a dynamic process produced by a series of identifications and misidentifications with animality.
Simon CritchleyPoetry is difficult, I mean interesting poetry, not confessional babble or emotive propaganda. Reading a new poet is discovering an entire world, what Stevens called a 'mundo' and it takes a lot of time to orientate oneself in such a world. What we have to learn to do then, as teachers and militants of a poetic insurgency, is to encourage people to learn to love the difficulty of poetry. I simply do not understand much of the poetry that I love.
Simon CritchleySo yes, I'm trying to think about the connections between politics and poetry. There's an awful lot you could say here.Poetics is a form of poesis, a form of production-construction, but there might be ways of conceiving of that in a much more interesting manner. That's what I'm thinking about at the moment.
Simon CritchleyThe other side of my work is political disappointment - the realization that we are living in an unjust world. "Blood is being spilled in the merriest way, as if it was champagne," Dostoevsky says. That raises the problem of justice, what it might mean in an unjust world and whether there can be an ethics and a political practice that would be able to face and face down the injustice of the present. How might we begin to think about that?
Simon Critchley