All students of disaster movies know that nothing survives these natural onslaughts except cats and the highest paid film stars.

The (U.K.) government's thesis that the countryside of upland and coastal Britain is 'worth sacrificing to save the planet' is an insult to science, economics and politics. But the greatest insult is to aesthetics. The trouble is that aesthetics has no way of answering back.

All students of disaster movies know that nothing survives these natural onslaughts except cats and the highest paid film stars.

Why do Britons keep stabbing each other in August? Why do seaside hotels burn down in August? Why do children disappear in August, examinations get easier and Heathrow become the world's worst airport? The answer lies not in reality but in appearance. News editors abhor a vacuum. Half an hour of airtime and 10 pages of news must be filled each day, whatever the weather.

If grownups want to dress in Tudor costume, douse babies in water, intone over the dead and do strange things with wine and wafers, it is a free country. But for a Christian sect to claim ownership of the legal definition of a human relationship is way out of order.

The job of the media is not to protect the powerful from embarrassment.

Nowhere in politics is there such a mismatch between public and private realm as in transport. Everyone on the M6 last weekend would have agreed with Transport Minister Alasdair Darling's reported hatred of cars. They too wanted drivers off the roads and on to public transport. Go to it, Mr Darling, they cried in unison, get rid of all those cars. Except, of course, their own. Other people's cars are traffic. My car is the outward essence of my being. It is my hat, stick and cane. It embodies my freedom as a citizen and my right as a democrat. My car is my soul in flight.