There are some incredible television shows. It seems a sort of succumbed place to be. At the moment, I'm quite happy sort of flitting from place-to-place. I wouldn't want to relocate from where I am right now in terms of where I live.

Often you read something about yourself, and either you've been ironic, and that doesn't work in print, or it paraphrases something that you said, and has a different meaning.

Plainly it isn't an exact science, despite it being a complex interaction of micro-decisions and corresponding thought; perhaps it doesn't always work and we pass by some potential soulmates like the proverbial ships in the night, never quite connecting. Then again, perhaps the system is tenacious and continues to run like a computer program on infinite loop, so that if at first you don't meet, you are drawn back together for another try.

When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.

Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.

Being a geek is all about being honest about what you enjoy.

We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...