It's hard, really, to make any physical movement that hasn't been done in another film. If you grab someone's hand, it doesn't mean you're referencing other films with grabbing hands...

You know what, despite my complaints about The Phantom Menace and Episode II, when Episode III comes out I'll be first in line. I genuinely love it.

If there is no fate and our interactions depend on such a complex system of chance encounters, what potentially important connections do we fail to make? What life changing relationships or passionate and lasting love affairs are lost to chance?

I was the naughty kid that the teachers liked. I bullied a kid in the 1st year when I was in the 2nd, who then hit puberty like a plane crash and grew into a gorilla who bullied me when he was in the 4th year and I was in the 5th. That's Karma.

I love my job very much, and I don't think I would change it. In fact, I know I wouldn't, because I can't do anything else.

I like to work in films, but I'd love to work in the technical side of film. I'd love to work with, say, Greg Nicotero [The Walking Dead] in kind of, like, special makeup effects. I'd probably say, "Good with clay and latex." Although I don't know what kind of job that'd get me.

The trouble with improv is that it is often about being funny in the moment without any real consideration for the bigger picture.