Films used to be about challenging, emotional journeys or moral questions that might make you walk away and re-evaluate how you felt about... whatever. Now we're walking out of the cinema really not thinking about anything, other than the fact that the Hulk had a fight with a robot.

Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.

I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.

When you meet people that you know from other films - as often happens to me, and as tends to happens to you when you're an actor, you constantly meet people that you've seen in other films. But when it's people who've kind of had a seismic effect on your life, it's quite extraordinary.

There seems to be this tendency toward denigrating romantic comedies as of late because it becomes something sort of cheesy or whatever. Whereas this embraced what it was. As a fan of When Harry Met Sally or Annie Hall, as a demonstration of what romantic comedy could be and should be, I immediately phoned Nira back and said, "Yeah, I'd like to do this. It'll be fun."

The only thing that would deter me at the moment would be the idea of doing one thing for a very long time. There is no doubt in my mind that television is an incredibly auspicious medium right now. It's where a lot of the serious acting is taking place.

It wasn't until a year later, when a young woman with Danish pastries on either side of her head knelt down in front of a walking dustbin to record an important message, that love truly came to town." - p 16 [re: Princess Leia]