It is old age, rather than death, that is to be contrasted with life. Old age is life's parody, whereas death transforms life into a destiny: in a way it preserves it by giving it the absolute dimension. Death does away with time.

Love and action always imply a failure, but this failure must not keep us from loving and acting. For we have not only to establish what our situation is, we have to choose it in the very heart of its ambiguity.

In 1949, I believed that social progress, the triumph of the proletariat, socialism would lead to the emancipation of women. But I saw that nothing came of it: first of all, that socialism was not achieved anywhere, and that in certain countries which called themselves socialist, the situation of women was no better than it was in so-called capitalist countries.

Women aren't more easily swayed by fascism than men, but I believe that their situation makes them in effect more slavish than men.

I take on a shape and an existence only if I first throw myself into the world by loving, by doing.

The whole world was nothing but an exile with no hope of a return.

I consider it almost antifeminist to say that there is a feminine nature which expresses itself differently, that a woman speaks her body more than a man, because after all, men also speak their bodies when they write. Everything is implicated in the work of a writer.