Two separate beings, in different circumstances, face to face in freedom and seeking justification of their existence through one another, will always live an adventure full of risk and promise." (p. 248)

It's important that you think of your relationship with the world and the way you can express that world and that you not be stopped if it scandalizes or embarrasses; but you must not look for scandal or for the avant-garde as a thing in itself.

Françoise could not help taking a surreptitious glance at Xavière: she gave a start of amazement. Xavière was no longer watching, her head was lowered. Françoise barely suppressed a scream. The girl was pressing the lighted end against her skin, a bitter smile curling her lips. It was an intimate, solitary smile, like that of a half-wit; the voluptuous, tortured smile of a woman possessed of some secret pleasure.

I've always been keenly aware of the passing of time. I've always thought that I was old. Even when I was twelve, I thought it was awful to be thirty. I felt that something was lost. At the same time, I was aware of what I could gain, and certain periods of my life have taught me a great deal. But, in spite of everything, I've always been haunted by the passing of time and by the fact that death keeps closing in on us.

However gifted an individual is at the outset, if his or her talents cannot be developed because of his or her social condition, because of the surrounding circumstances, these talents will be still-born.

It is not mere chance that makes families speak of a child who is 'extraordinary for his age' and also of an old man who is 'extraordinary for his age'; the extraordinariness lies in their behaving like human beings when they are either not yet or no longer men.

Hegel held that the two sexes were of necessity different, the one being active and the other passive, and of course the female would be the passive one.