In itself, homosexuality is as limiting as heterosexuality: the ideal should be to be capable of loving a woman or a man; either, a human being, without feeling fear, restraint, or obligation.

Tragedies are all right for a while: you are concerned, you are curious, you feel good. And then it gets repetitive, it doesn't advance, it grows dreadfully boring: it is so very boring, even for me.

Dwelling-place and food are useful for life but give it no significance: the immediate goals of the housekeeper are only means, not true ends.

There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.

The whole world was nothing but an exile with no hope of a return.

The father's life is surrounded by mysterious prestige: the hours he spends in the home, the room where he works, the objects around him, his occupations, his habits, have a sacred character. It is he who feeds the family, is the one in charge and the head. Usually he works outside the home, and it is through him that the household communicates with the rest of the world: he is the embodiment of this adventurous, immense, difficult, and marvelous world; he is transcendence, he is God.

I willingly trust myself to chance. I let my thoughts wander, I digress, not only sitting at my work, but all day long, all night even. It often happens that a sentence suddenly runs through my head before I go to bed, or when I am unable to sleep, and I get up again and write it down.