What I'm interested in is the protection of children from violence, and they are exposed to violence every single day in the form of, as it's called, the news. Then you wonder why the children are running around, doing the things in the streets, doing the things that they've seen the adults doing in the so-called news.

I listen to, like, funky Chicago blues. I love blues, but I love the funky, happy blues. There's a song about pretty much everything, including kidney stones, believe it or not. So there's something there for whatever you happen to be suffering, you know?

I'm on fire when I'm singing, I'm completely in character, I use my sense memories, and every syllable of it is meant. It's a very special thing.

I feel that I was a useful contributor to society, and that I couldn't be a contributor to society in any other way.

There's a standard of songwriting that, when you start immersing yourself in those types of songs, it raises your own bar as a songwriter. There's also simplicity in the songwriting. It's much harder to be simple than it is to be complicated.

It's OK to assert yourself. Obviously, as a woman, I do experience the consequence of asserting yourself - you're not supposed to assert yourself.

It was the case in the 70s and 80s that people believed music could change the world. But now people aren't making music because they want to change the world; they're making music because they want to just make a ton of money.