When we weren't being transcendent we specialized in self-inflicted disaster.

The last time I talked to Axl was in 1996. That was the last time we exchanged any sort of words. There was a rumor that I talked to him a while back [and asked to rejoin the band]. I did go to his house one night, and I talked to his assistant about something that had to do with this lawsuit that we were involved in. But it got turned into something else. He went out and made a press release that said I actually spoke to him, which was all bullshit. I was really shocked.

Directing is like guitar playing. That's a unique mind-set and talent, unto itself. I like the idea of putting everything together to make a great movie.

That's always stuck with me, with music. I've never really gotten jaded about it. I've always loved music for the sake of doing it, and the longer I do it, the more I like it. Hopefully, I'll be able to have that same point of view in this business, or at least with doing this.

I was never into hanging out on the Sunset Strip. When it came to Guns N' Roses and the scene that was going on then, that was something we pretty much hated. That was what we had to scratch and claw through, and as soon as we got established enough to leave, we never went back.

It's not something you can find. There's a moment you arrive at --- there's no words for it. A bunch of people come together at this place where a note hits your heart and your brain tells your finger where to go. It's an otherworldly thing, like when a painter gets the right combination of colors together.

I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.