I mean, the thing about Guns N' Roses was that it wasn't trying to attach itself to the '80s, or anything that had to do with the '80s. It's just who we were at that time. We were doing what we wanted to do. That had really nothing to do with anything around us, except for the simple fact that we were rebelling against that stuff.

You know, when you really connect with the instrument and everything just comes out on an emotional level very naturally through your playing. That's, you know, a great night. And I think the reason I love touring so much is you're chasing that high around all the time, trying to have another good night.

For me, the original Guns N' Roses is the embodiment of a certain kind of chemistry that really couldn't be duplicated.

Drugs and sex go hand in hand when you're a rock and roll musician. Whereas if I were a violinist, it might be a little different.

I was never into hanging out on the Sunset Strip. When it came to Guns N' Roses and the scene that was going on then, that was something we pretty much hated. That was what we had to scratch and claw through, and as soon as we got established enough to leave, we never went back.

I love playing music as much as if not more so than I did when I was 19; that compared to most of my peers is pretty surprising. I wake up every day and get really excited about doing stuff that I have been doing for the last 30 years. I just love it.

One time we played a concert in Antwerp, Belgium. At least I thought it was Antwerp, Belgium. Turns out it was a Stop 'n Shop in Wisconsin somewhere, but it was fun man.