For a long time I wanted to draw, but I could never get the proportions right. My still life sketches were the artistic equivalent of someone who has misjudged the space constraints of a postcard, the handwriting shrinking uncomfortably at the bottom.

There is one thing you know for sure, one fact that never fails to comfort you: the worst day of your life wasn't in there, in that mess. And it will do you good to remember the best day of your life wasn't in there, either. But another person brought you closer to those borders than you had been, and maybe that's not such a bad thing.

I find that anything culturally significant that happened before '93 I associate with the decade before it. In fact, Oregon Trail is one of a handful of signposts that middle school existed at all.

I'm a summer baby, so I usually have my birthday as a good summer memory.

What annoyed me was that I so often attempted to weasel out of things on purpose, it killed me to do it by accident. It seemed like a waste of whatever detailed lie I was going to have to come up with.

Yes. I am writing full-time. Which is strange. It feels like not having a job.

I thought of a high school report I did on the Belgian artist Rene Magritte and a quote I once read from him, something about his favorite walk being the one he took around his own bedroom. He said that he never understood the need for people to travel because all the poetry and perspective you're ever going to get you already posses. Anais Nin had the same idea. We see the world as we are. So if it's the same brain we bring with us every time we open our eyes, what's the difference if we're looking at an island cove or a pocket watch?