For a long time I wanted to draw, but I could never get the proportions right. My still life sketches were the artistic equivalent of someone who has misjudged the space constraints of a postcard, the handwriting shrinking uncomfortably at the bottom.

I thought of a high school report I did on the Belgian artist Rene Magritte and a quote I once read from him, something about his favorite walk being the one he took around his own bedroom. He said that he never understood the need for people to travel because all the poetry and perspective you're ever going to get you already posses. Anais Nin had the same idea. We see the world as we are. So if it's the same brain we bring with us every time we open our eyes, what's the difference if we're looking at an island cove or a pocket watch?

I definitely rediscovered reading for pleasure by devoting such a large swath of my time to sitting on airplanes. I am now painfully adept at removing my shoes so as to have the least amount of foot surface area touching an airport floor.

My A-number one visceral fear is speed. More than knives or snakes or confined spaces. Speed. I won't even go on a motor boat if I can help it.

My mother is a special education teacher but also an artist, and my father an advertising executive. They are about as wacky as you can get without being alcoholics.

Time grabs you by the scruff of your neck and drags you forward. You get over it, of course. Everyone was right about that. One mathematically insignificant day, you stop hoping for happiness and become actually happy.

I have a disproportionate amount of faith in the goodness of the world and that everything will actually work out okay.