When it seems impossible that a deep connection with another person could just go away instead of changing form. It seems impossible that you will one day look up and say the words "I used to date someone who lived in that building," referring to a three-year relationship. As simple as if it was a pizza place that is now a dry cleaner's. It happens. Keep walking.

The world I describe is about how people live now. It's not about zany people with unlimited, inexplicable funds in an apartment somewhere.

I don't really think of my essays as being about myself. I know it sounds insane, but I just don't think of them as a memoir. They're essays; they're not an autobiography.

I don't understand how you can be a decent writer and not know people.

I hope to one day co-sign a lease with another person but, well, it doesn't plague me that I have yet to do so. Put it this way: I've never had to violently tug at my own pillow at 2 A.M. to get myself to stop snoring.

Some of the writers I admire who seem very, very funny and very emotional to me can develop a closeness with the reader without giving too much of themselves away. Lorrie Moore comes to mind, as does David Sedaris. When they write, the reader thinks that they're being trusted as a friend.

The children were overwhelmingly morbid. Not a single adult asked me where butterflies go when they die, but this question was more popular than pixie sticks with the under-four-foot set. I cursed parents for not preparing their children. When I was five, my mother and sister sat me up on the kitchen counter and explained the facts of life: the Easter Bunny didn't exist, Elijah was God's invisible friend, with any luck Nana would die soon, and if I ever saw a unicorn, I should kill it or catch it for cash. I turned out okay.