It’s about misunderstandings between people and places, being disconnected and looking for moments of connection. There are so many moments in life when people don’t say what they mean, when they are just missing each other, waiting to run into each other in a hallway.

I love that feeling of when it's touching and it makes you happy but there's a melancholy or bittersweet glaze to it.

I think being mediocre and in the middle would be the worst. It's more interesting to get strong reactions, and to have the mixture of people who get it and the people who don't get it. And to invite a dialogue.

More actors in action movies should be gangly because that way it's believable when they move through tight spaces.

Ever since I was little, I've felt very comfortable on a set. The time is stressful - being creative under time constraints. But there is an excitement and energy that you only have a certain amount of time to get what you want.

I like telling the story in a visual way. I don't like explaining a lot in dialogue.

My movies are not about being, but becoming.