A lot of times I use live musicians, but I don't want it to have that live funky sound so I'll just take the best loop of a drum part and repeat it over and over and over again so that there's consistency and it feels a little bit more programmed. But I have a love/hate relationship with comping as well.

I don't really have guilty pleasures. Anything musically that I fully, fully believe, is good no matter who the artist is, no matter what the marketing is behind it, I stand pretty firm.

I think the thing about what I want to achieve for the label is it to really be a home for artists who are already developed, who already have a great sense of their artistry or their imaging, who don't really feel or want that marketing push.

I actually love my natural hair when it's in a twist out and it's been slept on for five days and revived by the steam of the shower.

The album ['A Seat at the Table'] really feels like storytelling for us all and our family and our lineage.

[Beyoncé ] did a kickass job. You were the most patient, loving, wonderful sister ever. In the 30 years that we've been together, I think we've only really, like, butted heads ... we can count on one hand.

I was working through a lot of challenges at every angle of my life, and a lot of self-doubt, a lot of pity-partying. And I think every woman in her twenties has been there - where it feels like no matter what you are doing to fight through the thing that is holding you back, nothing can fill that void.