I think the thing about what I want to achieve for the label is it to really be a home for artists who are already developed, who already have a great sense of their artistry or their imaging, who don't really feel or want that marketing push.

I really don't listen to anyone that I'm not proud of saying that I listen to. Even if it's something a little bit more unexpected, I didn't get too deep into the Waka, Gucci records, but I like those with pride.

I have gone through many difference phases in my love affair with hip-hop.It evolves, your taste. It sometimes deepens, in terms of what's out; sometimes it's not as deep in terms of what's out. So it's definitely an evolution. I don't ever claim to be a hip-hop head.

I'm really excited that the fashion industry is evolving, doing a much better job at representation, with women of color, women of different shapes, sizes, and creeds. It's been a long time coming... There were issues of tokenism, issues of misrepresentation. I'm optimistic that I see the change, the conversation that these archetypes gotta go. We can be very political and have long weaves down to our asses.

I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.

I don't really have guilty pleasures. Anything musically that I fully, fully believe, is good no matter who the artist is, no matter what the marketing is behind it, I stand pretty firm.

[Beyoncé ] did a kickass job. You were the most patient, loving, wonderful sister ever. In the 30 years that we've been together, I think we've only really, like, butted heads ... we can count on one hand.