I've let go of being a super perfectionist on every single note and wanting the pitch to be absolutely perfect all of the time. I grew up watching the best of the best.

It is always an honor to work with those that share your passion for music and just enjoy making great music.

I actually love my natural hair when it's in a twist out and it's been slept on for five days and revived by the steam of the shower.

Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.

I actually produced other people's vocals for a long time when I first signed my publishing deal and I had just sort of decided that I only wanted to be a writer. I would be in all of these writing sessions, and a lot of times my publisher would say, "You should get a demo singer to sing it because then it doesn't identify as a Solange song."

I'm probably on the internet way more than I should be. I don't know. I love connecting people. I love introducing people to other people who are doing incredible work in the world. And I'm just on the internet too damn much.

Style is the way we communicate who we are to people before we open our mouths.