I've let go of being a super perfectionist on every single note and wanting the pitch to be absolutely perfect all of the time. I grew up watching the best of the best.

The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.

I don't really have guilty pleasures. Anything musically that I fully, fully believe, is good no matter who the artist is, no matter what the marketing is behind it, I stand pretty firm.

I'm probably on the internet way more than I should be. I don't know. I love connecting people. I love introducing people to other people who are doing incredible work in the world. And I'm just on the internet too damn much.

When you're younger, you get shoved a lot. You don't really have a say-so.

The album ['A Seat at the Table'] really feels like storytelling for us all and our family and our lineage.

It is always an honor to work with those that share your passion for music and just enjoy making great music.