In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.

As a young girl I was a real tomboy, only listening to myself. I carried on with this attitude even as a woman and when I first launched the Sonia Rykiel line, and said to women to remove their bras or when I designed sweaters with stitches inside out, everybody said to me that it was crazy and risky, but I ignored what they said and I did what I felt was right at the time.

I am what I am. Before I was not so proud to make fashion. My family thought fashion wasn't very interesting. So I hid that.

You know, the more grown-up you are, the more you like Proust.

I am like the lover of Roland Barthes "who's always running in his head". I'm always searching, and "eating" everything from my life, in order to put it in my dresses!

I can be negatively criticised, but this is actually a positive thing, especially if the critic is smart, and helpful. I am very attentive to critics, they let me go ahead and push myself harder to continue.

I think that there are so many women who understand nothing about clothes and they should try and understand themselves before they start putting on disguises: they should stand in front of the mirror for a day, two days or three, and find out what they have which is beautiful, interesting: what they should show: hair, neck, arms, or hands.