As a slave [to fashion], I can be very dramatic and very demanding of myself and of the people I work with.

I always have a lot of vents and slits in the clothes I design, even inside the pockets so that I can slip my hands inside my clothes and touch my skin. I want to be able to feel my body naked inside my clothes.

I can't go any place without going to museums. It's very important for me.

We are not saying that all women should be thin like these very thin and young girls. We are creating a show, with its artistic codes and rules, and we have to try not to mix up all the codes together.

I love chocolate. Black chocolate with marshmallow inside, caramel inside. If I could only have two foods, I'd take some fantastic chocolate. And some terrible chocolate. I love the Clark Bar.

In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.

Being one step ahead of a fashion trend is not so important to me. What matters is to always forge ahead.