This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.

To call the police is a really big deal because you don't snitch - that's the culture you grow up in.

I loved to write; in my late teens I had a 'zine. But it wasn't until I went back to school, later on in my 20s, that I actually saw that I had writing talent.

It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.

In terms of having to uphold something, I don't need any added pressure. I need to be free in the work.

I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.

Even though the neighborhood I grew up in had some unhealthy elements, there was a caring there where you knew that you didn't want to get caught doing something wrong. There were bright spots in the neighborhood where I felt nurtured on a community level.