It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.

I was very academically inclined. But my inner life was in such turmoil. I'd go home and my home life was so miserable that it just felt like I was doing everything that I was supposed to do. I did all my chores, made really good grades, and I was excelling at school, but I wasn't happy.

I loved to write; in my late teens I had a 'zine. But it wasn't until I went back to school, later on in my 20s, that I actually saw that I had writing talent.

In terms of having to uphold something, I don't need any added pressure. I need to be free in the work.

To call the police is a really big deal because you don't snitch - that's the culture you grow up in.

I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.

It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.