I guess I'm fortunate that I'm still around and I emphasize 'I guess', because you never can tell what musicians would be playing had they been around as long as I have.

Improvisation is really not so much remembering things. And this is what I do when I play. I forget things. When I go on the stage, I want my mind to be a blank, so that I can - things can come into me without my knowing where they came from.

The thing is this: When I play, what I try to do is to reach my subconscious level. I don't want to overtly think about anything, because you can't think and play at the same time - believe me, I've tried it (laughs).

I'm now a legend, whether I want to be or not.

I want to be connecting with the subconscious, if I can call it that, because there are not to many words to describe the real deep inner part of a human beingI want to be at that place where everything is blotted out and where creativity happens, and to get there I practice, you know I'm a prolific practicer, I still practice every dayYou have to have the skills, then you want to not think when you're playing, that's when you let whatever deep level of creativity, spirituality, I mean, you know these words are so inadequate these days but you want to get to this place where they exist.

There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time.

Jazz is the type of music that can absorb so many things and still be jazz.