I usually draw in silence, but listen to music or public radio when I'm painting, after all the important decisions have been made.

I glean a few times a week, and it's all about the subject line. I look for the lyrical, "Billowy Red Scarf Girl" or the funny, "Hipster Chick Who Passed Gas," the unintentionally funny, "Looking for the Hot Girl in Pink Dress," ones that immediately suggest images, "Furry Arms Under a Yellow Umbrella," or the plain odd, "Seeking Girl Who Bit Me Twice..." I don't think I've ever abandoned one... the images usually arrive fully formed in my head as soon as I read the message, and I decide whether to draw it or not.

I have had people come to the site from all over the world. The US and Canada predominantly, but also Brazil and South Africa and Greece and Indonesia and Hong Kong and Ireland and Argentina and Spain and Israel and Australia.

On the other hand, I'm drawn to top hats, and spats, and mustaches. I haven't read a Missed Connection yet with someone wearing a monocle, but rest assured I'll snap it up if I do.

I usually draw in silence, but listen to music or public radio when I'm painting, after all the important decisions have been made.

Someone wrote to me asking me to illustrate a missed connection that "hasn't happened yet." This guy has seen the same girl waiting at a bus stop on his morning commute for weeks, and has been trying to find a way to approach her. He thought it would be fun to put up a Missed Connections poster [of my painting] on the corner where she waits and see what happens. It is kind of an intriguing idea but there's something a bit too manipulative about it for my liking. It's a fine line between being creative and stalking!

But mostly I think two people do share a moment, and we all know that feeling, and it can put a spring in your step for the rest of the day.