On the other hand, I'm drawn to top hats, and spats, and mustaches. I haven't read a Missed Connection yet with someone wearing a monocle, but rest assured I'll snap it up if I do.

There are also dozens and dozens of success stories; many couples have emailed me with their original posts. I love reading these stories, but confess I am not as interested in drawing them as the unfinished, elusive ones.

I dismiss posts where one or other of the couple was wearing anything named by brand, or you know, baseball caps, or sweat pants, because I don't like drawing them, and I don't have to please anyone but myself.

There's arrogance for you. I think all artists insert themselves into their subject matter.

Many messages are just thanking a stranger for a kindness...I love those ones, because I imagine everyone else reading them feels encouraged by such examples of humanity and generosity and tenderness. And if they encourage us to reach out to strangers more often, that's a good thing.

I've illustrated many children's books and I feel awfully lucky to be able to do something I love so much, and yes, to be able to pay the rent, but there was a yearning to do something more grown up, and something where I didn't have to cater to anyone; I was just waiting for the material.

Someone wrote to me asking me to illustrate a missed connection that "hasn't happened yet." This guy has seen the same girl waiting at a bus stop on his morning commute for weeks, and has been trying to find a way to approach her. He thought it would be fun to put up a Missed Connections poster [of my painting] on the corner where she waits and see what happens. It is kind of an intriguing idea but there's something a bit too manipulative about it for my liking. It's a fine line between being creative and stalking!