I traveled for seven years, and when I came back home I was completely lost. I didn't know what to do with my life, so I decided to let people decide for me. For month I followed strangers on the street. For the pleasure of following, not because the party interested me. I photographed them without their knowledge, took note of their movements, and finally lost sight of them. At the end of January 1980, I chose a man and followed him to Venice. That's how I started. That's all.

For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.

I didn't go to the North Pole to do something about my mother. I was invited to the North Pole and I realized it was impossible to go there without thinking about her.

At my age, I know myself. If I make a project, it's a way to help me. I don't do it for therapeutic reasons, but I know that the therapy can be a side profit.

In April 1981, at my request, my mother went to a detective agency. She hired them to follow me, to report my daily activities, and to provide photographic evidence of my existence.

I know how I live my life. I have a little magnet brain that attracts the kind of things that obsess me.

Objects always meet your obsession. Once you have an obsession, you step on it at every corner.