At my age, I know myself. If I make a project, it's a way to help me. I don't do it for therapeutic reasons, but I know that the therapy can be a side profit.

For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.

I didn't go to the North Pole to do something about my mother. I was invited to the North Pole and I realized it was impossible to go there without thinking about her.

My mother was a very absent mother. She was going out, she was drinking a lot, she liked to have fun. It's fine with me. I have no bitterness about it. When I was 3, she went to America for months. I never had any problems with that. I even liked it.

I try every time for a project to have a natural ending. As much as I can, I try to follow the story and to give it its own end.

I think I've never left my house to take a plane without writing my will. There must be about 30 wills in my drawers, everywhere, in the kitchen. Everywhere, I have wills because I write wills more easily than I write love letters.

Art is a way of taking distance. The pathological or therapeutic aspects exist, but just as catalysts.