It is a commentary on Berlin in 1931 that ... it was 'My Yiddishe Momme' that the Berlin Broadcasting Company asked for.

I have been poor and I have been rich. Rich is better.

Playing two months or more in one city meant new songs all the time. If people paid their dimes to see and hear Sophie Tucker, they didn't want to hear the same songs over and over or see the same clothes.

I've never sung a single song in my whole life on purpose to shock anyone. My 'hot numbers' are all, if you will notice, written about something that is real in the lives of millions of people.

Even though I loved the song [My Yiddish Momme] and it was a sensational hit every time I sang it, I was always careful to use it only when I knew the majority of the house would understand Yiddish. However, you didn't have to be a Jew to be moved by 'My Yiddish Momme.' 'Mother' in any language means the same thing.

I would start off with a lively rag, then would come a ballad, followed by a comedy song and a novelty number, and finally, the hot song. In this way, I left the stage with the audience laughing their heads off.

It is a commentary on Berlin in 1931 that ... it was 'My Yiddishe Momme' that the Berlin Broadcasting Company asked for.