Men are not on such intimate terms with the sublime that they really can believe in it

Death induces the sensual person to say: Let us eat and drink, because tomorrow we shall die - but this is sensuality's cowardly lust for life, that contemptible order of things where one lives in order to eat and drink instead of eating and drinking in order to live.

The difference between a man who faces death for the sake of an idea and an imitator who goes in search of martyrdom is that whilst the former expresses his idea most fully in death it is the strange feeling of bitterness which comes from failure that the latter really enjoys; the former rejoices in his victory, the latter in his suffering.

Father in Heaven! When the thought of thee wakes in our hearts let it not awaken like a frightened bird that flies about in dismay, but like a child waking from its sleep with a heavenly smile.

For the sadness in legitimate humour consists in the fact that honestly and without deceit it reflects in a purely human way upon what it is to be a child.

There are two kinds of geniuses. The characteristic of the one is roaring, but the lightning is meagre and rarely strikes; the other kind is characterized by reflection by which it constrains itself or restrains the roaring. But the lightning is all the more intense; with the speed and sureness of lightning it hits the selected particular points - and is fatal.

But doubt is wily and cunning and never, as it is sometimes said to be, loud or defiant. It is unassuming and sly, not bold or assertive - and the more unassuming, the more dangerous.