I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.

It's important for that to exist in a society that doesn't present you with any genuine problems.

My history is really playing live - not writing or recording.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

I don't know how many records I'm selling.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

One of the more distant concerns is with the visual interpretation of the music. I find it fascinating but I don't always particularly get involved with it.