Generally I'll keep 95% of what I sing on that first scratch vocal take. Sometimes that idea will ferment for a long time, and sometimes I"ll be close enough to my studio and have enough time (kind of rare these days) to go and work on the idea. Not every song is super easy though.

I believe that people have to be sensitized more about the many jobs an individual can branch out to after studying an art form.

I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.

Like all businesses ACID has its ups and downs. There are actually seasons when business will pick up such as Christmas time and carnival time. There are other times when business will run very slow.

I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."

What I love about African-African music is how unselfconscious it is in so many ways.

When I was growing up, it was still during Apartheid, so the country was very shielded from the outside artistic world. Anything that was too subversive was basically banned. All the music that we got from outside of South Africa was the poppiest, least subversive music that you could get.