The music that I listen to the most is probably world music, whether it's from African or South America or all over.

There were times when I would suddenly realize making music is a crazy pipe dream. I would see bands that did super well in South Africa still struggling to survive, or even people on the international level who are doing well but financially can't really support themselves.

"St. Lucia We Love" is actually a song produced by Stratosphere music (also St. Lucian). The CEO of Stratosphere music approached me and wanted me to produce a music video for this song which was already a hit in my country. I felt privileged to have been chosen to do such a video. So every time I went out to shoot a scene from the video, I would get a still shot from the scene to tease the public. The photo of the amazona versicolor is is an actual scene from the video which was released on St. Lucia's Independence day (22nd February, 2013).

[I] was always my dream to attend the Art Institute. I have always had this zeal to become the best that I can be and I saw that this institution will act as an avenue to me achieving that goal. I applied to the institution and got accepted based on my impressive portfolio.

I also got encouragement from my teachers at primary school but one person in particular who had a significant impact on my lean towards art is Mr. Luigi St. Omer. Mr. St. Omer was the one who always reminded me that I should not settle for less than greatness in my art. He saw that I had the potential and he helped me develop that talent.

Of course I had the parallel of having the early years of my life being spent during apartheid, and then having a lot of awful poverty going on around me while I lived in this bubble of middle-classness, but I was a child, and I only really started to (I hope) understand all of that fairly recently.

When I was growing up, it was still during Apartheid, so the country was very shielded from the outside artistic world. Anything that was too subversive was basically banned. All the music that we got from outside of South Africa was the poppiest, least subversive music that you could get.