When I was growing up, it was still during Apartheid, so the country was very shielded from the outside artistic world. Anything that was too subversive was basically banned. All the music that we got from outside of South Africa was the poppiest, least subversive music that you could get.

I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.

I must say that the first person to realise that I was talented in art was my mother.

I wrote, in total, about 50 or so songs (finished and unfinished) in the 2 and a half years leading up until this moment, and trying to decide what songs to include on the Mini-Album was super difficult, because there were so many different sound/mood roads I could have gone down. But, after going through everything, these tracks seemed to fit together and communicate a similar sentiment and mood the best.

Musically, some of the acts that I've really been identifying with are: Fleetwood Mac, Roxy Music, Vangelis, Jean-Michel Jarre, Earth, Wind & Fire, in general music that seems to have a lot of romance to it and a certain glamorous idealism.

Sometimes, I even learn new techniques from my students. Although I am still a student at the Art Institute, I think that I have learnt a lot from the classes that I have already taken.

We lived in a suburb in Johannesburg, which is a massive city of about 8 million people, and my parents would drive me to school every day and over the weekend I would go to the mall and then occasionally on Safari. Pretty normal stuff, apart from the Safari.