I didn't see [Luigi St. Omer] as a teacher. I saw him as a comrade I respected and I could go to see anytime something was bothering me. He was indeed my "big brother". He praised me when I did something exceptional and scolded me when I did things which were out of the way.

Don't get me wrong, I have the utmost respect for anyone who has the nerve to even attempt to do music today, but this is just about what excites me.

What I love about African-African music is how unselfconscious it is in so many ways.

I'm looking forward to seeing more of the US, and hopefully spending some of the summer in Europe playing festivals. It's early days though, so who knows.

I am trying my best to stay above the water. Right now ACID does not only offer animation. I offer real life productions as well and also compositing (animation composited into real life video)

I think I was just too young to even understand what was going on. When I was still living in South Africa, there was still so much racial tension.

I got a job as the Visuals Art's Teacher at my Alma Mata, St. Mary's College. Then my interests shifted to animation. Ironically, it was one of my students who sparked this energy in me by introducing me to an animation program called FLASH. So I dabbled and played around with it.