I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."

Generally I'll keep 95% of what I sing on that first scratch vocal take. Sometimes that idea will ferment for a long time, and sometimes I"ll be close enough to my studio and have enough time (kind of rare these days) to go and work on the idea. Not every song is super easy though.

[I] was always my dream to attend the Art Institute. I have always had this zeal to become the best that I can be and I saw that this institution will act as an avenue to me achieving that goal. I applied to the institution and got accepted based on my impressive portfolio.

I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.

I find that I have done a pretty good job of fusing all three of them so far and I intend to get better at my craft. This is the reason why I am always eager to learn new stuff, especially from those who are more experienced than me. I am like a sponge. My ultimate goal is to open an animation studio in St. Lucia.

I am really enjoying media arts and digital painting.

When I was developing St. Lucia - around 2008, 2009, at the peak of Pitchfork culture - what was considered cool was being as alienating to your audience as possible.