Most of the writing that I do is a complete train of thought process. I'll just be walking down the street or sitting on the toilet or whatever and something will pop into my head and I'll record it on my phone and then over the next little while it'll develop a little more in my head.

We lived in a suburb in Johannesburg, which is a massive city of about 8 million people, and my parents would drive me to school every day and over the weekend I would go to the mall and then occasionally on Safari. Pretty normal stuff, apart from the Safari.

There were times when I would suddenly realize making music is a crazy pipe dream. I would see bands that did super well in South Africa still struggling to survive, or even people on the international level who are doing well but financially can't really support themselves.

There are literally endless options and possibilities, and often no clear or obvious path in how to make that choice, and nobody to tell you to go this way or that. But somehow, it works itself out if you trust in the process, which is often easier said than done.

I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.

Normally when I'm writing, in the beginning I don't think of lyrics at all. I'm just improvising.

I've been making music for as long as I can remember. I would, as a kid, just sing little ideas or be making something.