I grew up around a lot of various religions, so it's a part of my consciousness in a way. Everything from heavy Catholicism to followers of Indian spiritual masters to Unitarian universalists - all in one family. Though the family aspect was stronger than any particular dogma.

I think human beings have a really broad spectrum of traits, and I almost feel implicated when we say, 'Men are like this, women are like this.' Nobody was telling me, 'Don't get dirty, don't play in the mud, girls don't do that.'

A song has a life of its own. It's an autonomous thing, separate from your own experience, almost. And the mere repetition of it means it's subject to change; it means approaching it differently, expressing different emotional aspects of it. It doesn't feel like wallowing.

The Lilith Fair thing was Bummer Town - hey, hop aboard the marginalizing train. I guess you had people come out of that and have careers, but I think there was a pretty intense backlash, too.

I wrote 'Actor' all on the computer. I didn't touch any instruments until I was in the studio. So while I had all these ornate arrangements, I didn't have any songs.

To be honest, because there's loud music in my ears probably three hours a day, between sound check and the show, I listen to podcasts more than I listen to music on the road.

Well, I've been recording myself on a computer since I was about 13 or 14. So it's completely entwined with my creative process. Essentially, it allows you to make music that's better and smarter than you are, by using your ears to lead the way.