I was struggling against the flypaper of other arts harnessing film to their own usages, which means essentially as a recording device or within the long historical trap of picture - by which I mean a collection of nameable shapes within a frame. I don't even think still photography, with few exceptions, has made any significant attempt to free itself from that.

After wishing for years to be given-the-opportunity of filming some of the more 'mystical' occupations of our Times - some of the more obscure Public Figures which the average imagination turns into 'bogeymen'... viz.: Policemen, Doctors, Soldiers, Politicians, etc.: - I was at last permitted to ride in a Pittsburgh police car, camera in hand, the final several days of September 1970.

There are a lot of movies made for nobody.

Peter Kubelka is the perfectionist of the film medium; and, as I honor that quality above all others at this time finding such a lack of it now elsewhere, I would simply like to say: Peter Kubelka is the world's greatest filmmaker - which is to say, simply: see his films!...by all means/above all else...etcetera.

We have the notion that we exist but we have no way to prove it. 'I am' is the closest foundation we can get.

The Hollywood movies are more like novels, and the kinds of films I make are more like poems.

The capacity to be intrinsic and vulgar is American.