You don't rehearse jazz to death to get the camera angles.

You can read all the textbooks and listen to all the records, but you have to play with musicians that are better than you.

You know, when I'm playing, I think of myself in front of the Wailing Wall with a saxophone in my hands, and I'm davening, I'm really telling it to the Wall.

I never consciously tried to conceive of what my sound should be.

I learn something new every day.

A good quartet is like a good conversation among friends interacting to each other's ideas.

I never have any trouble playing anything I can think of. The trouble is in thinking of what to play.