... And we talk it out. Lately, I've had Roy Thomas come in, and he sits and makes notes while we discuss it. Then he types them up, which gives us a written synopsis. Originally - I have a little tape recorder - I had tried taping it, but then I found no one on staff has time to listen to the tape again later. But this way he makes notes, types it quickly, I get a carbon, the artist gets a carbon ... so we don't have to worry that we'll forget what we've said.

These stories of people with unusual powers and unusual appearances, who do unusual things, people are always fascinated by them.

I like Spider-Man because he's become the most famous. He's the one who's most like me - nothing ever turns out 100 percent OK; he's got a lot of problems, and he does things wrong, and I can relate to that.

Comic books are just a way to show a story. Then there are the movies, and television and exhibits like this that take the stories and make them seem so realistic. In the comic book, you're just reading a story - hopefully a good, exciting story that whets your appetite for all of this stuff to come.

I think I've got 12... Superman, Batman, Wonder Woman, The Flash, Aquaman, Plastic-Man, Green Lantern, Sandman, The Justice League, The Atom Legion of Superheroes and Teen Titans.... Just about all of their top titles.

Singing a song, playing sports - anything that entertains, that takes people away from their own problems, is good.

I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.