I love all the voiceovers I do. I can't remember them all, but I seem to do them all of the time. And there's nothing easier because you just stand and read the script, and you don't have to act the way actors do. You don't have to be made up and put costumes on.

I hate being too serious about anything. If I'm with my friend, I want to be having fun with him or her. And if anybody is reading my story, I want them to be not only reading the story, but I want them to feel they're having fun; that they're enjoying it. So any way you can make it more informal, more fun-filled, more amusing - instead of just a dry story that goes on and on - if there's any way to do that, I like to try and do it.

It's just, it's fun to stay in the game.

All I thought about when I wrote my stories was, "I hope that these comic books would sell so I can keep my job and continue to pay the rent." Never in a million years could I have imagined that it would turn into what it has evolved into nowadays. Never.

I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him.

I thought it would be great to do superheroes that have the same kind of life problems that any reader - that anybody could have.

I always thought it was more interesting to think about Reed Richards. As you know, he had the ability to stretch, and sexually, that would seem to be a great asset in many areas.