Have it compose a poem -- a poem about a haircut! But lofty, noble, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter s!

...it is easy not to believe in monsters, considerably more difficult to escape their dread and loathsome clutches.

There are friends with whom we share neither interests nor any particular experiences, friends with whom we never correspond, whom we seldom meet and then only by chance, but whose existence nonetheless has for us a special if uncanny meaning. For me the Eiffel Tower is just such a friend, and not merely because it happens to be the symbol of a city, for Paris leaves me neither hot nor cold. I first became aware of this attachment of mine when reading in the paper about plans for its demolition, the mere thought of which filled me with alarm.

Faith is, at one and the same time, absolutely necessary and altogether impossible.

Futurologists have been multiplying like flies since the day Herman Kahn made Cassandra's profession "scientific," yet somehow not one of them has come out with the clear statement that we have wholly abandoned ourselves to the mercy of technological progress. The roles are now reversed: humanity becomes, for technology, a means, an instrument for achieving a goal unknown and unknowable.

We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is.

The twentieth century had dispensed with the formal declaration of war and introduced the fifth column, sabotage, cold war, and war by proxy, but that was only the begining. Summit meetings for disarmament pursued mutual understanding and a balance of power but were also held to learn the strengths and weaknesses of the enemy. The world of the war-or-peace alternative became a world in which war was peace and peace war.