It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: "am I doing it right?"

You know, sound was still a fairly new thing when I came into movies. And the reason musicals happened is because of sound. They could put music in the picture! That's how it all began.

I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.

My childhood wasn't very happy. It's a long, grim story about being a Jew in a small southern town.

There was never any point in my life when I wasn't called Mr. Donen. I'm told my first words were, 'Call me Mr. Donen.' But I suspect that's apocryphal. My mother, Mrs. Donen, tended to exaggerate.

There's no more film. Film is gone. We photograph digitally and electronically. We don't really use film the same way anymore - it's disappearing little by little. Things change. We have to change with them. There's no point in liking or not liking it. It is what it is.

I don't have too many friends. I have only a few people who I really love.