As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking.

Like Joseph Mitchell, I would scour the streets of New York and find little pieces of what other people think of as junk - and collect it.

I think everybody has a little bit of an asshole inside of them.

Those moments in between the moments, those are the most interesting. What's unspoken, the way we talk around things, the way our actions are inconsistent with what we're feeling, how anger and affection manifest themselves in strange ways at inappropriate times.

As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking.

Even The Impostors, as silly as it is, is a very intimate film, in a way.

3D movie is tedious, its tedious for everybody, it's hard for the crew, it's hard for the actors. It adds more time. It's more technically complicated, so that just adds more time and takes a little more time away from he acting and that's kind of frustrating but to say "I'll never do 3D again" that doesn't make any sense.